work & credits

as a DIRECTOR

Co-Director

Brown Girls Do It Too: Soho Theatre 2022, 2023 and on tour

Director

Before I Was A Bear by Eleanor Tindall: Soho Theatre 2022, Bunker Theatre 2019

OffCom Commendation, 2019

Director

The Woman in the Film by Madeleine Accalia, music by Nyreee Williams: Roundhouse, 2022

Assistant Director

Bluets by Margaret Perry, adapted from the book by Maggie Nelson. Directed by Katie Mitchell: Royal Court Theatre: 2023

Assistant Director

Mates in Chelsea by Rory Mullarkey. Directed by Sam Pritchard: Royal Court Theatre, 2022

Assistant Director

Imposter 22 by Molly Davies. Directed by Hamish Pirie: Royal Court Theatre, 2022.

Assistant Director

Word-Play by Rabiah Hussain. Directed by Nimmo Ismail: Royal Court Theatre, 2022

Assistant Director

Name, Place, Animal, Thing by Annie Zaidi. Directed by Atri Banerjee: Almeida Theatre, London: 2 June 2021

as a RESEARCHER

Assistant Producer

Baiting the Scammers: Black Leaf Films for Channel News Asia (2022)

Winner, Silver Award for Investigative Journalism: New York Festivals 2023

Visiting Lecturer

Central School of Speech and Drama, University of London

Workshop Facilitator

Stockroom, JAM and Prime Theatre New Writing Workshops, London (2022)

Tutor

Identity School of Acting, London (2020-2022)

Co-Writer and Co-Presenter: ‘Begin at this line’: Collating Textual Variants of Hamlet for Performance for Britgrad (The Annual British Graduate Shakespeare Conference), Stratford-upon-Avon (2017)

Co-Curator: An Exhibition on Dorothy Wordsworth for Newcastle University in association with the Wordsworth Trust, Newcastle-upon-Tyne (2015)

as a WRITER

Hampstead INSPIRE, 2023 Cohort

Co-Writer

Harris, E.J. and Srinivasan A. (2023) ‘He hath given his empire’: Coloniality and British Contemporary Shakespeare Performance Practice in the Contemporary Theatre Review

10 ways to have the Perfect Conversation

R&D at the Gate Theatre, London (2021)

all the cultureless people/ Dussehra

(Longlisted) The Yard Theatre (2018), Tamasha Developing Playwrights (2018), Old Vic 12 (Playwriting) (2018)

Do You Feel the Phantom Pain?

Performed: Arcola Theatre (2018, Bunker Theatre (2018)

Writer and Reviewer

Helter Skelter, India (2015-2016)

as co-director of GLOBAL ORIGINS (2018-2022)

Co-Facilitator

REROUTED: a discussion group for international films, plays and productions: Global Origins in partnership with the Gate Theatre, London (2021)

Workshop Co-Facilitator

Decolonising the British Canon: Global Origins: Guildhall change-makers, London (2020)

Workshop Co-Facilitator

Can the Master’s Tools Dismantle the Master’s House? & Writing with Identity: Global Origins for Part of the Main Theatre, London (2020)

Workshop Co-Facilitator

Decolonising the Canon: Global Origins for the Young Vic Theatre Genesis Network, London (2020)

Co-Producer & Co-Curator

ARE WE THERE YET? festival of international art: Bussey Building, London (2019)

EDUCATION

MFA Writing for Stage and Broadcast Media

Central School of Speech and Drama: 2018

MA English Literature

Newcastle University: 2015

BA Media Studies (Journalism)

Symbiosis Centre for Media and Communication: 2014